February 11-13, 2020
The Page-Barbour Lecture Committee was delighted to present Daniel Mendelsohn for our 2019 Page-Barbour Lecture series entitled "A Digression: Narrative Afterlives of The Odyssey."
Tuesday, March 26th: “Auerbach's Two Ways: Homer vs. The Hebrews”
Wednesday, March 27th: “Circling Inside and Out: Herodotus, Fénelon, Proust”
Thursday, March 28th: “The Broken Road: Sebald, Kamil Pasha, Auerbach”
In any artful narrative, digression—from the Latin “to deviate, to stray"— is of course never really a deviation: what appears to be a straying off topic is in fact a sophisticated means of embracing material of crucial importance to the tale—importance that, however, must be signaled obliquely. These lectures will range across the history of digression as a literary tool, from the ring composition of Homer and some of his stylistic epigones (Herodotus, Fénelon) to the literal and figurative wanderings of Joyce, Proust, and W.G. Sebald in the 20th century. Moreover, the literary analysis will unfold against a story—about Auerbach writing “Mimesis” in his Turkish exile, about the history of Fénelon’s bestselling adaptation of the “Odyssey,” “Les adventures de Télémaque, and of a Turkish Grand Vizier’s long struggle to translate “Télémaque”—that itself becomes a giant circle connecting the literary past to the present.
Professor Mendelsohn is the Charles Ranlett Flint Professor of Humanities at Bard College, and an award-winning memoirist, critic, and translator. He is a frequent contributor The New Yorker, and The New York Review of Books, and the author of the international bestseller The Lost: A Search of Six for Six Million, among a number of other works. His research interests include Classical Greek drama; Homeric Epic; gender and sexuality in the ancient world; history of criticism; and the Classical tradition and its reception.